Color by Design

Visible Spectrum:
The band of colors produced when white light passes through a prism or raindrops.
Pigment:
The dry natural minerals or synthetic chemicals used to color the basic neutral paint medium.
Palette:
The resultant partnering of colors designed to form a cohesive group.

Color in Itself

Color Wheel:
‘Rainbow’ color segments placed in a circle positioning the relationships between and amongst colors.
Hue:
The name of each specific pure color on a color wheel e.g., yellow, green, blue, violet, red, orange.

Color in Relationship to Color

Primary Colors:
In paint, the hues red, yellow & blue that cannot be produced by mixing any other pigment.
Secondary Colors:
In paint, the hues orange, green & violet that are created when primary pigments are intermixed.
Analogous Colors:
Hues lying adjacent to one another on a classic color wheel: red, orange & yellow; yellow, green & blue; blue, violet & red.
Warm Colors:
red, orange & yellow.
Cool Colors:
green, blue & violet.
Complementary Colors:
A pair of hues comprised of one Primary and one Secondary positioned across from one another on a color wheel: yellow & violet; orange & blue; red & green.
Earth Colors:
Neutral, muted hues created by mixing any pair of complementary colors.
Full Spectrum Colors:
Hues mixed without using black or white pigments.
Value:
The lightness or darkness of each hue and its relative position on a scale from white to black.
Tints:
Hues lightened by the gradual addition of white.
Shades:
Hues darkened by the gradual addition of black.
Tones:
Hues changed by the gradual addition of grey.

Color's Personality…
A Conspiracy of Illusion and Deception

Local Color:
The isolated natural color of a thing in itself, independent of and uninfluenced by adjacent things.
Perceiving or "Reading" Color
is dependent upon:
Light Source
  • Direct or diffuse NATURAL LIGHT as effected by cast and reflected shadow.
  • ARTIFICIAL LIGHT e.g., incandescent, LED, florescent, halogen, etc…
Adjacent Colors
actively reflect and/or absorb one another.
  • Full intensity complementary colors placed adjacent to one another tend to bounce or vibrate.
  • Mismatched colors placed next to one another tend to absorb and dull one another.
Saturation:
Refers to the intensity of each color.
High intensity
Low intensity
Contrast:
Differences in intensity.
High contrast:
Extreme differences between colors.
Low contrast:
Greater similarity of colors one to another.
Cool, Shaded Hues:
appear to RECEDE.
Warm, Tinted Hues:
appear to ADVANCE.

Squint your eyes to make the illusion work.

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